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時空再現
（じくう さいげん / Jikū Saigen）
This translation directly corresponds to the original term "时空复现"—combining "時空" (space-time) and "再現" (recurrence/reappearance), which fits the conceptual meaning of the phrase (e.g., in sci-fi, physics, or theoretical contexts referring to the restoration or recurrence of a space-time state).
If used as a standalone technical/conceptual term, the compound word form is natural in Japanese; if emphasizing the relationship, you could also add a particle like "の" (時空の再現), but the compound version is more concise and aligns with typical Japanese terminology conventions for such phrases.
**Pronunciation note**: The reading "じくう" (jikū) for "時空" is the standard pronunciation in scientific/technical contexts (alternate casual reading "ときそら" is rare here). "さいげん" (saigen) is the only common reading for "再現".
**Usage example**: この理論は時空再現の可能性を仮定する (This theory assumes the possibility of space-time recurrence).
**Common contexts**: Sci-fi, theoretical physics, fantasy worldbuilding.
**Part of speech**: Noun (can also function as a noun phrase).
**Formality**: Neutral to formal (suitable for technical writing or conceptual discussions).
**Regional variations**: No significant regional differences in usage (standard Japanese).
**Additional notes**: If the term refers to a specific phenomenon (e.g., in a work of fiction), the translation remains consistent as it captures the core meaning.
**Antonyms**: 時空崩壊 (space-time collapse), 時空消失 (space-time disappearance).
**Synonyms**: 時空再生 (less common, but similar in meaning—space-time restoration).
This translation is accurate, natural, and widely understandable in relevant contexts.
@@MehdiSharifi0 回使用
超写実的な肖像は石膏の中心に位置しています
（Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu）
### Notes:
- "超写实肖像" → "超写実的な肖像" (hyper-realistic portrait) – using the adjective form "超写実的な" makes the phrase flow naturally in Japanese descriptive context.
- "位于" → "位置しています" (is located) – accurately conveys the spatial relationship in a formal/neutral tone.
- "石膏中心" → "石膏の中心" (center of the plaster) – the particle "の" clarifies possession/position, which is essential in Japanese.
This translation maintains the original meaning while sounding natural in Japanese. For a more casual tone, you could replace "位置しています" with "あります" (arimasu: exists), but the above version is more precise for a descriptive statement.
```
超写実的な肖像が石膏の中心にあります
（Chōshajitsuteki na shōzō ga sekkō no chūshin ni arimasu）
```
Both are correct, depending on context. The first is slightly more formal/emphasizes location, the second is simpler and focuses on existence.
The most accurate and natural choice for general use is the first translation.
**Final Answer:**
超写実的な肖像は石膏の中心に位置しています
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)
Or for simplicity:
超写実的な肖像が石膏の中心にあります
(Chōshajitsuteki na shōzō ga sekkō no chūshin ni arimasu)
But the first one is closer to the original's "位于" meaning. So the best answer is:
超写実的な肖像は石膏の中心に位置しています
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)
But if we need to pick one, let's go with the precise one.
**Answer:**
超写実的な肖像は石膏の中心に位置しています
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)
Alternatively, if the user prefers a shorter version without the polite form (though usually, polite is safer), but since the original is a statement, polite is better.
Yes, this is the correct translation.</think_never_used_51bce0c785ca2f68081bfa7d91973934>超写実的な肖像は石膏の中心に位置しています
（Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu）
### Explanation:
- **超写实肖像**: Translated as "超写実的な肖像" (hyper-realistic portrait) — the adjective "超写実的な" (chōshajitsuteki na) naturally modifies "肖像" (shōzō, portrait) to convey the "hyper-realistic" quality.
- **位于**: Rendered as "位置しています" (ichi shite imasu) — this formal verb accurately expresses "is located" and aligns with the descriptive tone of the original sentence.
- **石膏中心**: Becomes "石膏の中心" (sekkō no chūshin) — the particle "の" (no) clarifies the spatial relationship ("center of the plaster/gypsum object").
This translation maintains the original meaning while sounding natural in Japanese. For a more casual context, you could replace "位置しています" with "あります" (arimasu: exists), but the above version is precise and suitable for most descriptive scenarios.
**Final Answer:**
超写実的な肖像は石膏の中心に位置しています
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)
@@samann_ai0 回使用
驚異的な外骨格画像
（きょういつてきな がいこっかく がぞう）
If you want a slightly more nuanced expression emphasizing "surprising":
驚くべき外骨格の画像
（おどろくべき がいこっかく の がぞう）
Both are natural, but the first one is more concise and commonly used for phrases like this.
**Explanation**:
- 惊人的 → 驚異的な (kyouitsuteki na: astonishing/marvelous) or 驚くべき (odorokubeki: surprising/wonderful)
- 外骨骼 → 外骨格 (gaikokkaku: exoskeleton, a direct loan-translation used in biology/robotics)
- 图像 → 画像 (gazou: image/picture)
The first translation balances impact and conciseness, suitable for contexts like captions or titles. The second adds "の" for grammatical completeness in a longer sentence, but both are correct.
Final answer: 驚異的な外骨格画像 (Kyouitsuteki na gaikokkaku gazou)
Or, if more formal: 驚くべき外骨格の画像 (Odorokubeki gaikokkaku no gazou)
But the most natural and concise choice is **驚異的な外骨格画像**.</think_never_used_51bce0c785ca2f68081bfa7d91973934>驚異的な外骨格画像
（きょういつてきな がいこっかく がぞう）
This translation captures the core meaning:
- "惊人的" → "驚異的な" (kyouitsuteki na: astonishing/marvelous, emphasizing the surprising nature)
- "外骨骼" → "外骨格" (gaikokkaku: standard term for exoskeleton in biology/robotics)
- "图像" → "画像" (gazou: image/picture)
It’s concise and natural for contexts like captions, titles, or short phrases. For a slightly more formal tone, you could use **驚くべき外骨格の画像** (odorokubeki gaikokkaku no gazou), but the first option is more commonly used in everyday or media settings.
Final Answer:
**驚異的な外骨格画像**
(きょういつてきな がいこっかく がぞう)
@@azed_ai0 回使用
