character + lighting

これらのタグを組み合わせた 58 件のプロンプト

一枚の精巧な人物像入り金属硬貨  
(Ichimai no seikou na jinzou-iri kinzoku kouka)  

### Explanation:  
- **一枚**: Counter for flat items like coins, directly translated as "ichimai no" (with the particle "no" to connect to the noun).  
- **精致な**: Translated as "精巧な" (seikou na), meaning "exquisite" or "skillfully crafted"—fits the context of a detailed coin.  
- **人物**: Refers to a person's portrait/figure on the coin, so we use "人物像" (jinzou, "human portrait") plus "入り" (iri, "with... included") to naturally indicate the coin features this design.  
- **金属硬币**: "金属硬貨" (kinzoku kouka) is the natural term for "metal coin" in Japanese.  

This translation accurately captures all elements of the original phrase while sounding natural in Japanese. For a slightly more formal tone, you could replace "入り" with "刻まれた" (kizamareta, "engraved with"), resulting in:  
**一枚の精巧な人物像が刻まれた金属製硬貨**  
(Ichimai no seikou na jinzou ga kizamareta kinzokusei kouka)  

Both are correct, with the first being more concise and commonly used in everyday contexts.


**Final Answer:**  
一枚の精巧な人物像入り金属硬貨  
(Ichimai no seikou na jinzou-iri kinzoku kouka)  

Or the formal version:  
一枚の精巧な人物像が刻まれた金属製硬貨  
(Ichimai no seikou na jinzou ga kizamareta kinzokusei kouka)  

The concise one is preferred for most scenarios:  
**一枚の精巧な人物像入り金属硬貨**

一枚の精巧な人物像入り金属硬貨 (Ichimai no seikou na jinzou-iri kinzoku kouka) ### Explanation: - **一枚**: Counter for flat items like coins, directly translated as "ichimai no" (with the particle "no" to connect to the noun). - **精致な**: Translated as "精巧な" (seikou na), meaning "exquisite" or "skillfully crafted"—fits the context of a detailed coin. - **人物**: Refers to a person's portrait/figure on the coin, so we use "人物像" (jinzou, "human portrait") plus "入り" (iri, "with... included") to naturally indicate the coin features this design. - **金属硬币**: "金属硬貨" (kinzoku kouka) is the natural term for "metal coin" in Japanese. This translation accurately captures all elements of the original phrase while sounding natural in Japanese. For a slightly more formal tone, you could replace "入り" with "刻まれた" (kizamareta, "engraved with"), resulting in: **一枚の精巧な人物像が刻まれた金属製硬貨** (Ichimai no seikou na jinzou ga kizamareta kinzokusei kouka) Both are correct, with the first being more concise and commonly used in everyday contexts. **Final Answer:** 一枚の精巧な人物像入り金属硬貨 (Ichimai no seikou na jinzou-iri kinzoku kouka) Or the formal version: 一枚の精巧な人物像が刻まれた金属製硬貨 (Ichimai no seikou na jinzou ga kizamareta kinzokusei kouka) The concise one is preferred for most scenarios: **一枚の精巧な人物像入り金属硬貨**

@@eyishazyer0 回使用
美しい水色の警察服を着た日本人女性  

(Utsukushii mizuiro no keisatsufuku o kita nihonjin josei)  

This translation accurately conveys the meaning of the original phrase: "a beautiful Japanese woman wearing a light blue police uniform." The structure uses natural Japanese modifier order, with descriptive adjectives and the "wearing" verb form (着た, kita) to link the uniform to the woman. "水色" (mizuiro) is the common term for light blue in Japanese, and "警察服" (keisatsufuku) is the concise equivalent of "警服" (police uniform).


**Alternative concise version (if preferred as a noun phrase without explicit "wearing"):**  
水色警察服を着た美しい日本人女性  

(Mizuiro keisatsufuku o kita utsukushii nihonjin josei)  

Both versions are natural, with the first emphasizing "beautiful" upfront (matching the original's adjective order) and the second prioritizing the uniform detail first. The first is more faithful to the original's adjective sequence.


**Note:** The original phrase is a descriptive noun phrase, so adding the verb "着た" (wearing) is necessary in Japanese to clarify the relationship between the woman and the uniform, as Japanese does not use prepositional phrases like English ("in a uniform") in the same way. This makes the translation flow naturally in context.  
  


**Final Recommendation (most natural and faithful):**  
美しい水色の警察服を着た日本人女性  
(Utsukushii mizuiro no keisatsufuku o kita nihonjin josei)

美しい水色の警察服を着た日本人女性 (Utsukushii mizuiro no keisatsufuku o kita nihonjin josei) This translation accurately conveys the meaning of the original phrase: "a beautiful Japanese woman wearing a light blue police uniform." The structure uses natural Japanese modifier order, with descriptive adjectives and the "wearing" verb form (着た, kita) to link the uniform to the woman. "水色" (mizuiro) is the common term for light blue in Japanese, and "警察服" (keisatsufuku) is the concise equivalent of "警服" (police uniform). **Alternative concise version (if preferred as a noun phrase without explicit "wearing"):** 水色警察服を着た美しい日本人女性 (Mizuiro keisatsufuku o kita utsukushii nihonjin josei) Both versions are natural, with the first emphasizing "beautiful" upfront (matching the original's adjective order) and the second prioritizing the uniform detail first. The first is more faithful to the original's adjective sequence. **Note:** The original phrase is a descriptive noun phrase, so adding the verb "着た" (wearing) is necessary in Japanese to clarify the relationship between the woman and the uniform, as Japanese does not use prepositional phrases like English ("in a uniform") in the same way. This makes the translation flow naturally in context. **Final Recommendation (most natural and faithful):** 美しい水色の警察服を着た日本人女性 (Utsukushii mizuiro no keisatsufuku o kita nihonjin josei)

@@MANISH10275120 回使用
超写実的な肖像は石膏の中心に位置しています  

(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)  

### Notes:  
- "超写实肖像" → "超写実的な肖像" (hyper-realistic portrait) – using the adjective form "超写実的な" makes the phrase flow naturally in Japanese descriptive context.  
- "位于" → "位置しています" (is located) – accurately conveys the spatial relationship in a formal/neutral tone.  
- "石膏中心" → "石膏の中心" (center of the plaster) – the particle "の" clarifies possession/position, which is essential in Japanese.  

This translation maintains the original meaning while sounding natural in Japanese. For a more casual tone, you could replace "位置しています" with "あります" (arimasu: exists), but the above version is more precise for a descriptive statement.  
```  
超写実的な肖像が石膏の中心にあります  
(Chōshajitsuteki na shōzō ga sekkō no chūshin ni arimasu)  
```  
Both are correct, depending on context. The first is slightly more formal/emphasizes location, the second is simpler and focuses on existence.  
The most accurate and natural choice for general use is the first translation.  
**Final Answer:**  
超写実的な肖像は石膏の中心に位置しています  
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)  
Or for simplicity:  
超写実的な肖像が石膏の中心にあります  
(Chōshajitsuteki na shōzō ga sekkō no chūshin ni arimasu)  

But the first one is closer to the original's "位于" meaning. So the best answer is:  
超写実的な肖像は石膏の中心に位置しています  
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)  
But if we need to pick one, let's go with the precise one.  
**Answer:**  
超写実的な肖像は石膏の中心に位置しています  
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)  
Alternatively, if the user prefers a shorter version without the polite form (though usually, polite is safer), but since the original is a statement, polite is better.  
Yes, this is the correct translation.</think_never_used_51bce0c785ca2f68081bfa7d91973934>超写実的な肖像は石膏の中心に位置しています  
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)  

### Explanation:  
- **超写实肖像**: Translated as "超写実的な肖像" (hyper-realistic portrait) — the adjective "超写実的な" (chōshajitsuteki na) naturally modifies "肖像" (shōzō, portrait) to convey the "hyper-realistic" quality.  
- **位于**: Rendered as "位置しています" (ichi shite imasu) — this formal verb accurately expresses "is located" and aligns with the descriptive tone of the original sentence.  
- **石膏中心**: Becomes "石膏の中心" (sekkō no chūshin) — the particle "の" (no) clarifies the spatial relationship ("center of the plaster/gypsum object").  

This translation maintains the original meaning while sounding natural in Japanese. For a more casual context, you could replace "位置しています" with "あります" (arimasu: exists), but the above version is precise and suitable for most descriptive scenarios.  

**Final Answer:**  
超写実的な肖像は石膏の中心に位置しています  
(Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)

超写実的な肖像は石膏の中心に位置しています (Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu) ### Notes: - "超写实肖像" → "超写実的な肖像" (hyper-realistic portrait) – using the adjective form "超写実的な" makes the phrase flow naturally in Japanese descriptive context. - "位于" → "位置しています" (is located) – accurately conveys the spatial relationship in a formal/neutral tone. - "石膏中心" → "石膏の中心" (center of the plaster) – the particle "の" clarifies possession/position, which is essential in Japanese. This translation maintains the original meaning while sounding natural in Japanese. For a more casual tone, you could replace "位置しています" with "あります" (arimasu: exists), but the above version is more precise for a descriptive statement. ``` 超写実的な肖像が石膏の中心にあります (Chōshajitsuteki na shōzō ga sekkō no chūshin ni arimasu) ``` Both are correct, depending on context. The first is slightly more formal/emphasizes location, the second is simpler and focuses on existence. The most accurate and natural choice for general use is the first translation. **Final Answer:** 超写実的な肖像は石膏の中心に位置しています (Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu) Or for simplicity: 超写実的な肖像が石膏の中心にあります (Chōshajitsuteki na shōzō ga sekkō no chūshin ni arimasu) But the first one is closer to the original's "位于" meaning. So the best answer is: 超写実的な肖像は石膏の中心に位置しています (Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu) But if we need to pick one, let's go with the precise one. **Answer:** 超写実的な肖像は石膏の中心に位置しています (Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu) Alternatively, if the user prefers a shorter version without the polite form (though usually, polite is safer), but since the original is a statement, polite is better. Yes, this is the correct translation.</think_never_used_51bce0c785ca2f68081bfa7d91973934>超写実的な肖像は石膏の中心に位置しています (Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu) ### Explanation: - **超写实肖像**: Translated as "超写実的な肖像" (hyper-realistic portrait) — the adjective "超写実的な" (chōshajitsuteki na) naturally modifies "肖像" (shōzō, portrait) to convey the "hyper-realistic" quality. - **位于**: Rendered as "位置しています" (ichi shite imasu) — this formal verb accurately expresses "is located" and aligns with the descriptive tone of the original sentence. - **石膏中心**: Becomes "石膏の中心" (sekkō no chūshin) — the particle "の" (no) clarifies the spatial relationship ("center of the plaster/gypsum object"). This translation maintains the original meaning while sounding natural in Japanese. For a more casual context, you could replace "位置しています" with "あります" (arimasu: exists), but the above version is precise and suitable for most descriptive scenarios. **Final Answer:** 超写実的な肖像は石膏の中心に位置しています (Chōshajitsuteki na shōzō wa sekkō no chūshin ni ichi shite imasu)

@@samann_ai0 回使用
光と影の人形のライティング参考  
(Hikari to kage no ningyou no raitingu sankou)  

### Explanation:  
- **光影**: Translated as "光と影" (hikari to kage), meaning "light and shadow" (natural phrasing in Japanese for this concept).  
- **人偶**: Translated as "人形" (ningyou), which refers to a puppet or doll.  
- **打光参考**: Translated as "ライティング参考" (raitingu sankou) – "ライティング" (from English "lighting") is commonly used in creative fields (e.g., photography, stage design) for "打光" (lighting setup), and "参考" (sankou) means "reference".  

This translation accurately conveys the meaning of "lighting reference for light and shadow puppets" and is natural for Japanese speakers in professional/creative contexts.  

Alternative (more formal):  
光と影の人形の照明参考  
(Hikari to kage no ningyou no shoumei sankou)  
(Using "照明" (shoumei) = "lighting/illumination" instead of "ライティング")  
</answer>光と影の人形のライティング参考  
(Hikari to kage no ningyou no raitingu sankou)  

### 補足説明  
- **光影**: 「光と影」と訳し、光と陰の両方を含む概念を自然に表現しています。  
- **人偶**: 「人形」は人形・パペットを指し、文脈に合った一般的な訳語です。  
- **打光参考**: クリエイティブ分野(写真・舞台デザインなど)では「ライティング」が「打光(照明設定)」の意味で広く使われるため、「ライティング参考」としています。  

この訳は「光と影の人形用の照明参考資料」という原意を正確に伝え、日本語話者にとって自然な表現です。  

(よりフォーマルな代替案)  
光と影の人形の照明参考  
(Hikari to kage no ningyou no shoumei sankou)  
(「照明」を使った場合)

光と影の人形のライティング参考 (Hikari to kage no ningyou no raitingu sankou) ### Explanation: - **光影**: Translated as "光と影" (hikari to kage), meaning "light and shadow" (natural phrasing in Japanese for this concept). - **人偶**: Translated as "人形" (ningyou), which refers to a puppet or doll. - **打光参考**: Translated as "ライティング参考" (raitingu sankou) – "ライティング" (from English "lighting") is commonly used in creative fields (e.g., photography, stage design) for "打光" (lighting setup), and "参考" (sankou) means "reference". This translation accurately conveys the meaning of "lighting reference for light and shadow puppets" and is natural for Japanese speakers in professional/creative contexts. Alternative (more formal): 光と影の人形の照明参考 (Hikari to kage no ningyou no shoumei sankou) (Using "照明" (shoumei) = "lighting/illumination" instead of "ライティング") </answer>光と影の人形のライティング参考 (Hikari to kage no ningyou no raitingu sankou) ### 補足説明 - **光影**: 「光と影」と訳し、光と陰の両方を含む概念を自然に表現しています。 - **人偶**: 「人形」は人形・パペットを指し、文脈に合った一般的な訳語です。 - **打光参考**: クリエイティブ分野(写真・舞台デザインなど)では「ライティング」が「打光(照明設定)」の意味で広く使われるため、「ライティング参考」としています。 この訳は「光と影の人形用の照明参考資料」という原意を正確に伝え、日本語話者にとって自然な表現です。 (よりフォーマルな代替案) 光と影の人形の照明参考 (Hikari to kage no ningyou no shoumei sankou) (「照明」を使った場合)

@@ZHO_ZHO_ZHO0 回使用